Maxime Leroy, A Study of Authorial Illustration: The Magic Window
Maxime Leroy’s short study on writers’ own illustration has two parts and a conclusion. The twofold structure opens with a long dialogue, “A Conversation on Authorial Illustration” (p. 5-44), presents twelve case studies (p. 45-90), and briefly concludes with a few principles. The device of the ina...
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| Pubblicato in: | URI:https://journals.openedition.org/interfaces, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Interfaces
2020
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_824 |
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openedition-oai:revues.org:interfaces_824 https://doi.org/10.4000/interfaces.824 urn:doi:10.4000/interfaces.824 en https://journals.openedition.org/interfaces/824 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/h4k5 https://creativecommons.org/licenses/by/4.0/ Maxime Leroy, A Study of Authorial Illustration: The Magic Window Maxime Leroy’s short study on writers’ own illustration has two parts and a conclusion. The twofold structure opens with a long dialogue, “A Conversation on Authorial Illustration” (p. 5-44), presents twelve case studies (p. 45-90), and briefly concludes with a few principles. The device of the inaugural interview is an appealing entry into the subject matter at hand. It starts with simple questions-cum-definitions and moves to more complicated ones, citing various examples and critical view... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Stead, Evanghelia |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Maxime Leroy’s short study on writers’ own illustration has two parts and a conclusion. The twofold structure opens with a long dialogue, “A Conversation on Authorial Illustration” (p. 5-44), presents twelve case studies (p. 45-90), and briefly concludes with a few principles. The device of the inaugural interview is an appealing entry into the subject matter at hand. It starts with simple questions-cum-definitions and moves to more complicated ones, citing various examples and critical view... |
| author |
Stead, Evanghelia |
| spellingShingle |
Stead, Evanghelia Maxime Leroy, A Study of Authorial Illustration: The Magic Window |
| author_facet |
Stead, Evanghelia |
| author_sort |
Stead, Evanghelia |
| title |
Maxime Leroy, A Study of Authorial Illustration: The Magic Window |
| title_short |
Maxime Leroy, A Study of Authorial Illustration: The Magic Window |
| title_full |
Maxime Leroy, A Study of Authorial Illustration: The Magic Window |
| title_fullStr |
Maxime Leroy, A Study of Authorial Illustration: The Magic Window |
| title_full_unstemmed |
Maxime Leroy, A Study of Authorial Illustration: The Magic Window |
| title_sort |
maxime leroy, a study of authorial illustration: the magic window |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.824 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/824 |
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