Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters
Although the German poet Heinrich Heine, who moved to Paris in 1831, repeatedly declared his commitment to a subjective and politically engaged way of artistic expression, he vehemently professed his dislike of the graphic satires which appeared in La Caricature and represented the “Citizen King” Lo...
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| Vydáno v: | URI:https://journals.openedition.org/interfaces, |
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Interfaces
2020
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_789 |
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openedition |
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openedition-oai:revues.org:interfaces_789 https://doi.org/10.4000/interfaces.789 urn:doi:10.4000/interfaces.789 en https://journals.openedition.org/interfaces/789 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4he https://creativecommons.org/licenses/by/4.0/ Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Faßhauer, Vera censure de la presse monarchie de Juillet satire graphique et verbale Heine (Heinrich) Caricature (La) press censorship July Monarchy verbal and graphic satire Heine (Heinrich) Caricature (La) Although the German poet Heinrich Heine, who moved to Paris in 1831, repeatedly declared his commitment to a subjective and politically engaged way of artistic expression, he vehemently professed his dislike of the graphic satires which appeared in La Caricature and represented the “Citizen King” Louis Philippe in the shape of a pear. Nevertheless, Heine’s own accounts of the current French Affairs for the German press exhibit many clear analogies to the seemingly detested satiric drawings: Not only did he use them as an important vehicle of his own political criticism, but he also matched them with his own verbal caricatures of the French monarch and his cabinet. After showing that Heine and the caricaturists did indeed share the same butts and means of criticism, the article analyses both the graphic and verbal strategies and techniques they employed to avoid press censorship. Le poète allemand Heinrich Heine, qui s’était installé à Paris en 1831, déclara à plusieurs reprises son soutien à une expression artistique engagée et subjective, mais cela ne l’empêcha pas d’exprimer avec véhémence son aversion pour les satires publiées dans La Caricature, qui représentaient le « roi-citoyen », Louis-Philippe, sous la forme d’une poire. Cependant, les comptes rendus des affaires de la France envoyés par Heine à la presse allemande présentent bien des analogies avec les caricatures apparemment dédaignées. Il s’en servit pour renforcer ses propres critiques politiques, mais également en soutien à ses propres caricatures verbales du monarque et de son cabinet. Après avoir démontré que Heine partage les mêmes cibles et les mêmes procédés que les caricaturistes d’alors, nous analyserons les stratégies graphiques et verbales et les techniques utilisées pour éviter la censure de la presse. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
censure de la presse monarchie de Juillet satire graphique et verbale Heine (Heinrich) Caricature (La) press censorship July Monarchy verbal and graphic satire Heine (Heinrich) Caricature (La) |
| spellingShingle |
censure de la presse monarchie de Juillet satire graphique et verbale Heine (Heinrich) Caricature (La) press censorship July Monarchy verbal and graphic satire Heine (Heinrich) Caricature (La) Faßhauer, Vera Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters |
| description |
Although the German poet Heinrich Heine, who moved to Paris in 1831, repeatedly declared his commitment to a subjective and politically engaged way of artistic expression, he vehemently professed his dislike of the graphic satires which appeared in La Caricature and represented the “Citizen King” Louis Philippe in the shape of a pear. Nevertheless, Heine’s own accounts of the current French Affairs for the German press exhibit many clear analogies to the seemingly detested satiric drawings: Not only did he use them as an important vehicle of his own political criticism, but he also matched them with his own verbal caricatures of the French monarch and his cabinet. After showing that Heine and the caricaturists did indeed share the same butts and means of criticism, the article analyses both the graphic and verbal strategies and techniques they employed to avoid press censorship. |
| author |
Faßhauer, Vera |
| author_facet |
Faßhauer, Vera |
| author_sort |
Faßhauer, Vera |
| title |
Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters |
| title_short |
Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters |
| title_full |
Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters |
| title_fullStr |
Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters |
| title_full_unstemmed |
Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters |
| title_sort |
unharmonious images conceived by troubled minds: graphic and literary caricatures in heinrich heine’s french affairs and french painters |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.789 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/789 |
| _version_ |
1877293789246128129 |