A tour of Nancy Holt’s ruins: from entropic monuments to system works

This article explores the evolving meaning and nature of ruins in American artist Nancy Holt’s practice. A concern with entropy and monumentality was shared by many American artists of the 1960s and 1970s, but Holt developed an original artistic reflection on ruins and the paradigms that frame their...

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الحاوية / القاعدة:URI:https://journals.openedition.org/interfaces,
المؤلف الرئيسي: Manolescu, Monica
التنسيق: Article ou chapitre numérique
اللغة:Anglais
منشور في: Interfaces 2023
الموضوعات:
الوصول للمادة أونلاين:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:interfaces_6834 https://doi.org/10.4000/interfaces.6834 urn:doi:10.4000/interfaces.6834 en https://journals.openedition.org/interfaces/6834 2023-07-20T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4j6 https://creativecommons.org/licenses/by/4.0/ A tour of Nancy Holt’s ruins: from entropic monuments to system works Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Manolescu, Monica ruines monument entropie mégalithes pittoresque décharges land art reclamation art ruins monuments entropy megaliths picturesque landfills land art reclamation art This article explores the evolving meaning and nature of ruins in American artist Nancy Holt’s practice. A concern with entropy and monumentality was shared by many American artists of the 1960s and 1970s, but Holt developed an original artistic reflection on ruins and the paradigms that frame their construction and interpretation, moving in directions inspired by ecology, as well as myth and ritual. Discussions of selected works (Ruin View: The Temple of the Sun, 1969; Stone Enclosure. Rock Rings, 1977-1978; and Sky Mound, 1984, unfinished) show distinct approaches over time. Site-specific sculpture and land reclamation consecrate ruins as critical and inspirational objects situated in the landscape that allow Holt to develop artworks with ramified temporalities, committed to the history of the site and aligned with celestial phenomena. Versions of contemporary ruins such as waste are embedded in an ecological approach to reclamation that relies on advanced technology to limit environmental damage and produces “system works” that connect the reclaimed site to larger ecosystems and the cosmos. Cet article explore la nature et la signification changeantes des ruines dans la pratique de l’artiste américaine Nancy Holt. Beaucoup d’artistes américains des années 1960 et 1970 se sont intéressés à l’entropie et aux monuments, mais Holt a élaboré une réflexion originale à ce sujet et a intégré certains paradigmes liés à la construction et à l’interprétation des ruines dans son propre travail, avec un intérêt marqué pour l’écologie, les mythes et les rituels. Plusieurs œuvres aux approches distinctes sont analysées : Ruin View: The Temple of the Sun (1969), Stone Enclosure. Rock Rings (1977-1978) et Sky Mound (1984, projet inachevé). La sculpture ancrée dans le site et les projets de réhabilitation consacrent les ruines en tant qu’objets critiques et porteurs d’inspiration situés dans le paysage, qui permettent à Holt de créer des œuvres aux temporalités multiples, ancrées dans l’histoire du site et alignées aux phénomènes célestes. Des ruines contemporaines telles que les déchets s’insèrent dans une approche écologique de réhabilitation qui utilise des technologies de pointe pour limiter les dégâts sur l’environnement et qui produit des « œuvres systèmes » reliant le site aux écosystèmes et au cosmos.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic ruines
monument
entropie
mégalithes
pittoresque
décharges
land art
reclamation art
ruins
monuments
entropy
megaliths
picturesque
landfills
land art
reclamation art
spellingShingle ruines
monument
entropie
mégalithes
pittoresque
décharges
land art
reclamation art
ruins
monuments
entropy
megaliths
picturesque
landfills
land art
reclamation art
Manolescu, Monica
A tour of Nancy Holt’s ruins: from entropic monuments to system works
description This article explores the evolving meaning and nature of ruins in American artist Nancy Holt’s practice. A concern with entropy and monumentality was shared by many American artists of the 1960s and 1970s, but Holt developed an original artistic reflection on ruins and the paradigms that frame their construction and interpretation, moving in directions inspired by ecology, as well as myth and ritual. Discussions of selected works (Ruin View: The Temple of the Sun, 1969; Stone Enclosure. Rock Rings, 1977-1978; and Sky Mound, 1984, unfinished) show distinct approaches over time. Site-specific sculpture and land reclamation consecrate ruins as critical and inspirational objects situated in the landscape that allow Holt to develop artworks with ramified temporalities, committed to the history of the site and aligned with celestial phenomena. Versions of contemporary ruins such as waste are embedded in an ecological approach to reclamation that relies on advanced technology to limit environmental damage and produces “system works” that connect the reclaimed site to larger ecosystems and the cosmos.
author Manolescu, Monica
author_facet Manolescu, Monica
author_sort Manolescu, Monica
title A tour of Nancy Holt’s ruins: from entropic monuments to system works
title_short A tour of Nancy Holt’s ruins: from entropic monuments to system works
title_full A tour of Nancy Holt’s ruins: from entropic monuments to system works
title_fullStr A tour of Nancy Holt’s ruins: from entropic monuments to system works
title_full_unstemmed A tour of Nancy Holt’s ruins: from entropic monuments to system works
title_sort tour of nancy holt’s ruins: from entropic monuments to system works
publisher Interfaces
publishDate 2023
container_title URI:https://journals.openedition.org/interfaces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.6834
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/6834
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