Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera
Early film theorist Ricciotto Canudo equated cinema with music because of the Seventh Art’s inherent plasticity; in the 21st century, plasticity extends to the soundtrack. In this article, I explore the fusion of cinema with the musical genre of opera. By considering that film is a performative medi...
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| Publicat a: | URI:https://journals.openedition.org/interfaces, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Interfaces
2023
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |