Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond
The recent adaptations of Margaret Atwood’s The Handmaid’s Tale (1985) and Alias Grace (1996) into TV series by platforms Hulu and Netflix have increased the already remarkable influence of Atwood’s work by expanding the modalities of its reception internationally. Their overall success and critica...
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| Dans: | URI:https://journals.openedition.org/interfaces, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Interfaces
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_5903 |
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openedition |
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openedition-oai:revues.org:interfaces_5903 https://doi.org/10.4000/interfaces.5903 urn:doi:10.4000/interfaces.5903 en https://journals.openedition.org/interfaces/5903 2023-01-23T01:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/h4kd https://creativecommons.org/licenses/by/4.0/ Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond The recent adaptations of Margaret Atwood’s The Handmaid’s Tale (1985) and Alias Grace (1996) into TV series by platforms Hulu and Netflix have increased the already remarkable influence of Atwood’s work by expanding the modalities of its reception internationally. Their overall success and critical acclaim, although sometimes mitigated, has introduced new iterations of Margaret Atwood’s “protean poetics” (Côté 63) in our collective imagery. It would nevertheless be simplistic to reduce this... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Benoit, Laura |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The recent adaptations of Margaret Atwood’s The Handmaid’s Tale (1985) and Alias Grace (1996) into TV series by platforms Hulu and Netflix have increased the already remarkable influence of Atwood’s work by expanding the modalities of its reception internationally. Their overall success and critical acclaim, although sometimes mitigated, has introduced new iterations of Margaret Atwood’s “protean poetics” (Côté 63) in our collective imagery. It would nevertheless be simplistic to reduce this... |
| author |
Benoit, Laura |
| spellingShingle |
Benoit, Laura Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond |
| author_facet |
Benoit, Laura |
| author_sort |
Benoit, Laura |
| title |
Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond |
| title_short |
Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond |
| title_full |
Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond |
| title_fullStr |
Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond |
| title_full_unstemmed |
Shannon Wells-Lassagne and Fiona McMahon (eds.). Adapting Margaret Atwood. The Handmaid’s Tale and Beyond |
| title_sort |
shannon wells-lassagne and fiona mcmahon (eds.). adapting margaret atwood. the handmaid’s tale and beyond |
| publisher |
Interfaces |
| publishDate |
2023 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.5903 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/5903 |
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