Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)

Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)

This article is about the cinematic presentation of time, arguing that contemporary cinema increasingly draws on musical structures to organize images. Drawing on a Deleuzian conception of time in cinema, I propose and develop the idea of a morph-image. In the case of Spring Breakers, this musical s...

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التفاصيل البيبلوغرافية
الحاوية / القاعدة:URI:https://journals.openedition.org/interfaces,
المؤلف الرئيسي: Ledet Christiansen, Steen
التنسيق: Article ou chapitre numérique
اللغة:Anglais
منشور في: Interfaces 2023
الموضوعات:
dubstep
avenir
retour en boucle
morphing
tressage
post-cinéma
temps
future
looping
pleating
post-cinema
time
الوصول للمادة أونلاين:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:interfaces_5792
record_format openedition
spelling openedition-oai:revues.org:interfaces_5792 https://doi.org/10.4000/interfaces.5792 urn:doi:10.4000/interfaces.5792 en https://journals.openedition.org/interfaces/5792 2023-01-23T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4it https://creativecommons.org/licenses/by/4.0/ Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012) Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Ledet Christiansen, Steen dubstep avenir retour en boucle morphing tressage post-cinéma temps dubstep future looping morphing pleating post-cinema time This article is about the cinematic presentation of time, arguing that contemporary cinema increasingly draws on musical structures to organize images. Drawing on a Deleuzian conception of time in cinema, I propose and develop the idea of a morph-image. In the case of Spring Breakers, this musical structure is that of electronic dance music, that intensifies and amplifies experience through two primary temporal forms: looping and pleating. Time repeats and returns, brushing against itself. In so doing, Spring Breakers’ musical form expresses the tension between a closed or open future, what Nina Power has called the “weaponization of time.” Cet article porte sur la représentation du temps au cinéma. Il avance que le cinéma contemporain s'appuie de plus en plus sur des structures musicales pour organiser les images. Puisant dans une conception deleuzienne du temps au cinéma, je propose et développe l'idée de morph-image. Dans le cas de Spring Breakers, cette structure musicale est celle de la musique de danse électronique, qui intensifie et amplifie l’expérience par le biais de deux formes temporelles principales : le retour en boucle – looping, et le tressage – pleating. Le temps se répète et revient sur lui-même. Ainsi, la forme de Spring Breakers, inspirée de la musique, exprime la tension entre un futur fermé ou ouvert, ce que Nina Power a appelé le « pouvoir offensif du temps ».
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic dubstep
avenir
retour en boucle
morphing
tressage
post-cinéma
temps
dubstep
future
looping
morphing
pleating
post-cinema
time
spellingShingle dubstep
avenir
retour en boucle
morphing
tressage
post-cinéma
temps
dubstep
future
looping
morphing
pleating
post-cinema
time
Ledet Christiansen, Steen
Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
description This article is about the cinematic presentation of time, arguing that contemporary cinema increasingly draws on musical structures to organize images. Drawing on a Deleuzian conception of time in cinema, I propose and develop the idea of a morph-image. In the case of Spring Breakers, this musical structure is that of electronic dance music, that intensifies and amplifies experience through two primary temporal forms: looping and pleating. Time repeats and returns, brushing against itself. In so doing, Spring Breakers’ musical form expresses the tension between a closed or open future, what Nina Power has called the “weaponization of time.”
author Ledet Christiansen, Steen
author_facet Ledet Christiansen, Steen
author_sort Ledet Christiansen, Steen
title Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
title_short Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
title_full Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
title_fullStr Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
title_full_unstemmed Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
title_sort temporal looping and pleating in spring breakers (harmony korine, 2012)
publisher Interfaces
publishDate 2023
container_title URI:https://journals.openedition.org/interfaces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.5792
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/5792
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