Susan Schuppli. Material Witness: Media, Forensics, Evidence
“Materials can, in fact, bear witness” (14)—this is the driving principle in Susan Schuppli’s essay Material Witness: Media, Forensics, Evidence. Schuppli is a documentary filmmaker and contemporary artist who, as an alumni of the research collective Forensic Architecture, has dedicated most of her...
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| Julkaisussa: | URI:https://journals.openedition.org/interfaces, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
Interfaces
2022
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_5289 |
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openedition |
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openedition-oai:revues.org:interfaces_5289 https://doi.org/10.4000/interfaces.5289 urn:doi:10.4000/interfaces.5289 en https://journals.openedition.org/interfaces/5289 2022-07-20T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/h4kb https://creativecommons.org/licenses/by/4.0/ Susan Schuppli. Material Witness: Media, Forensics, Evidence “Materials can, in fact, bear witness” (14)—this is the driving principle in Susan Schuppli’s essay Material Witness: Media, Forensics, Evidence. Schuppli is a documentary filmmaker and contemporary artist who, as an alumni of the research collective Forensic Architecture, has dedicated most of her recent work to the collection and study of material evidence. Her interest in the construction of history and memory is tangible and in this essay she focuses her attention on the possibility of d... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Rouquet, Camille |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
“Materials can, in fact, bear witness” (14)—this is the driving principle in Susan Schuppli’s essay Material Witness: Media, Forensics, Evidence. Schuppli is a documentary filmmaker and contemporary artist who, as an alumni of the research collective Forensic Architecture, has dedicated most of her recent work to the collection and study of material evidence. Her interest in the construction of history and memory is tangible and in this essay she focuses her attention on the possibility of d... |
| author |
Rouquet, Camille |
| spellingShingle |
Rouquet, Camille Susan Schuppli. Material Witness: Media, Forensics, Evidence |
| author_facet |
Rouquet, Camille |
| author_sort |
Rouquet, Camille |
| title |
Susan Schuppli. Material Witness: Media, Forensics, Evidence |
| title_short |
Susan Schuppli. Material Witness: Media, Forensics, Evidence |
| title_full |
Susan Schuppli. Material Witness: Media, Forensics, Evidence |
| title_fullStr |
Susan Schuppli. Material Witness: Media, Forensics, Evidence |
| title_full_unstemmed |
Susan Schuppli. Material Witness: Media, Forensics, Evidence |
| title_sort |
susan schuppli. material witness: media, forensics, evidence |
| publisher |
Interfaces |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.5289 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/5289 |
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