Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies
Archival holdings help us to better understand the collaborative process involved in screenplay development. This article mobilizes archival findings around the screenwriting process in order to contribute to recent debates within adaptation studies (Hutcheon, Bryant, Elliott, Elleström, Bruhn/Gjels...
שמור ב:
| הוצא לאור ב: | URI:https://journals.openedition.org/interfaces, |
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| מחבר ראשי: | |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
| יצא לאור: |
Interfaces
2022
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| נושאים: | |
| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_4494 |
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openedition |
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openedition-oai:revues.org:interfaces_4494 https://doi.org/10.4000/interfaces.4494 urn:doi:10.4000/interfaces.4494 en https://journals.openedition.org/interfaces/4494 2022-07-20T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4ig https://creativecommons.org/licenses/by/4.0/ Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Brunow, Dagmar film adaptation scénario écriture de scénario études sur l’adaptation Wägner (Elin) Åsa-Hanna développement d’un scénario archive recherche sur l’écriture de scénario film adaptation screenplay screenwriting adaptation studies Wägner (Elin) Åsa-Hanna script development archive screenwriting research Archival holdings help us to better understand the collaborative process involved in screenplay development. This article mobilizes archival findings around the screenwriting process in order to contribute to recent debates within adaptation studies (Hutcheon, Bryant, Elliott, Elleström, Bruhn/Gjelsvik/Frisvold Hanssen, Stam, Rossholm). Setting out to bridge the gap between screenwriting studies and adaptation studies, this article argues that the study of screenplay versions, drafts and letters foregrounds the often overlooked artistic process involved in developing film adaptations. This article presents the case of the film adaption of Åsa-Hanna, based on the novel of the Swedish writer, journalist, suffragette, eco-critic and peace activist Elin Wägner (1882-1949) and the screenplay versions by Barbro Alving (1909-1987). It studies different script versions and ephemera at the manuscript collection at the Swedish Film Institute (Stockholm) as well as Wägner’s notebooks, drafts and letters at KvinnSam (Göteborg). The aim of this article is twofold: first, to contribute to adaptation studies by highlighting the role of the screenplay and the process of screenwriting in the process of transmediation. Second, to stress the importance of the industrial context of film production and distribution for adaptation studies. Les dépôts d'archives nous aident à mieux comprendre le processus collaboratif impliqué dans le développement d'un scénario. Cet article mobilise les découvertes d'archives autour du processus d'écriture de scénario afin de contribuer aux débats récents au sein des études d'adaptation (Hutcheon, Bryant, Elliott, Elleström, Bruhn/Gjelsvik/Frisvold Hanssen, Stam, Rossholm). Dans le but de combler le fossé entre les études sur l'écriture de scénarios et les études sur l'adaptation, cet article avance que l'étude des versions du scénario, des brouillons et des lettres met en évidence le processus artistique souvent négligé qui est impliqué dans le développement des adaptations cinématographiques. Cet article présente le cas de l'adaptation cinématographique d'Åsa-Hanna, basée sur le roman de l'écrivain, journaliste, suffragette, écocritique et militante pacifiste suédoise Elin Wägner (1882-1949) et les versions du scénario de Barbro Alving (1909-1987). Il étudie les différentes versions du scénario et les documents éphémères de la collection de manuscrits de l'Institut Suédois du Film (Stockholm) ainsi que les carnets, brouillons et lettres de Wägner à KvinnSam (Göteborg). L'objectif de cet article est double : premièrement, contribuer aux études sur l'adaptation en soulignant le rôle du scénario et du processus d'écriture du scénario dans le processus de transmédiation. Deuxièmement, souligner l'importance du contexte industriel de la production et de la distribution des films pour les études sur l'adaptation. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
film adaptation scénario écriture de scénario études sur l’adaptation Wägner (Elin) Åsa-Hanna développement d’un scénario archive recherche sur l’écriture de scénario film adaptation screenplay screenwriting adaptation studies Wägner (Elin) Åsa-Hanna script development archive screenwriting research |
| spellingShingle |
film adaptation scénario écriture de scénario études sur l’adaptation Wägner (Elin) Åsa-Hanna développement d’un scénario archive recherche sur l’écriture de scénario film adaptation screenplay screenwriting adaptation studies Wägner (Elin) Åsa-Hanna script development archive screenwriting research Brunow, Dagmar Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| description |
Archival holdings help us to better understand the collaborative process involved in screenplay development. This article mobilizes archival findings around the screenwriting process in order to contribute to recent debates within adaptation studies (Hutcheon, Bryant, Elliott, Elleström, Bruhn/Gjelsvik/Frisvold Hanssen, Stam, Rossholm). Setting out to bridge the gap between screenwriting studies and adaptation studies, this article argues that the study of screenplay versions, drafts and letters foregrounds the often overlooked artistic process involved in developing film adaptations. This article presents the case of the film adaption of Åsa-Hanna, based on the novel of the Swedish writer, journalist, suffragette, eco-critic and peace activist Elin Wägner (1882-1949) and the screenplay versions by Barbro Alving (1909-1987). It studies different script versions and ephemera at the manuscript collection at the Swedish Film Institute (Stockholm) as well as Wägner’s notebooks, drafts and letters at KvinnSam (Göteborg). The aim of this article is twofold: first, to contribute to adaptation studies by highlighting the role of the screenplay and the process of screenwriting in the process of transmediation. Second, to stress the importance of the industrial context of film production and distribution for adaptation studies. |
| author |
Brunow, Dagmar |
| author_facet |
Brunow, Dagmar |
| author_sort |
Brunow, Dagmar |
| title |
Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| title_short |
Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| title_full |
Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| title_fullStr |
Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| title_full_unstemmed |
Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| title_sort |
towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies |
| publisher |
Interfaces |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.4494 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/4494 |
| _version_ |
1877293113391710208 |