Pigment, light, paper, screen; formats as interacting multi-dimensional creative works

Formats have an interacting range of qualities that practice based research can explore, so testing and questioning theory; they are more than dimensions. Video art can play with space, light and sound, through a choice of materials, including visuals and audio. I make video art out of the virtual w...

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Bibliografske podrobnosti
izdano v:URI:https://journals.openedition.org/interfaces,
Glavni avtor: Baxter, Tess
Format: Article ou chapitre numérique
Jezik:Anglais
Izdano: Interfaces 2022
Teme:
Online dostop:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:interfaces_3905
record_format openedition
spelling openedition-oai:revues.org:interfaces_3905 https://doi.org/10.4000/interfaces.3905 urn:doi:10.4000/interfaces.3905 en https://journals.openedition.org/interfaces/3905 2022-01-21T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4ib https://creativecommons.org/licenses/by/4.0/ Pigment, light, paper, screen; formats as interacting multi-dimensional creative works Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Baxter, Tess recherche pratique format art vidéo photogravure visuel audio monde virtuel temps et espace montage film d’archives format video art printmaking visual audio practice led virtual world time and space editing archive film Formats have an interacting range of qualities that practice based research can explore, so testing and questioning theory; they are more than dimensions. Video art can play with space, light and sound, through a choice of materials, including visuals and audio. I make video art out of the virtual world of Second Life with its interplay of two-dimensional textures and three-dimensional objects. Editing this virtual world digital video with digitised archive film, contemporary music and literature explores how the formats used by multiple creators across time can interact, so exploring meanings through reinterpretation and translation. Taking still images from that video art into printmaking using photogravure etching, a hand-crafted method of mechanically pressing ink on paper, considers the translation of light on screen to ink on paper, and explores format from another position. Going from moving image to still images changes the relationship with time and distance, and from ratios in pixels to dimensions in millimetres. Les formats possèdent un éventail de qualités interactives que la recherche pratique peut explorer, mettant ainsi à l’épreuve la théorie. L’art vidéo peut jouer avec l’espace, la lumière, le son, et les matériaux, y compris des éléments visuels et audio. Je fais de l’art vidéo à partir du monde virtuel de Second Life, m’inspirant de son jeu de textures bidimensionnelles et d’objets tridimensionnels. Je monte les vidéos numériques en mixant des films d’archives numérisés, de la musique contemporaine et de la littérature et propose d’explorer comment le travail de plusieurs créateurs produit des sens différents par le biais de la réinterprétation et de la traduction. J’ai utilisé la technique de photogravure, une méthode artisanale de pressage mécanique, pour retravailler des images fixes de l'art vidéo, traduire la lumière à l’écran par des jeux d’encre sur le papier et ainsi explorer le format depuis un autre angle. Cette conversion de l’image animée à l’image fixe change le rapport au temps et à la distance.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic recherche pratique
format
art vidéo
photogravure
visuel
audio
monde virtuel
temps et espace
montage
film d’archives
format
video art
printmaking
visual
audio
practice led
virtual world
time and space
editing
archive film
spellingShingle recherche pratique
format
art vidéo
photogravure
visuel
audio
monde virtuel
temps et espace
montage
film d’archives
format
video art
printmaking
visual
audio
practice led
virtual world
time and space
editing
archive film
Baxter, Tess
Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
description Formats have an interacting range of qualities that practice based research can explore, so testing and questioning theory; they are more than dimensions. Video art can play with space, light and sound, through a choice of materials, including visuals and audio. I make video art out of the virtual world of Second Life with its interplay of two-dimensional textures and three-dimensional objects. Editing this virtual world digital video with digitised archive film, contemporary music and literature explores how the formats used by multiple creators across time can interact, so exploring meanings through reinterpretation and translation. Taking still images from that video art into printmaking using photogravure etching, a hand-crafted method of mechanically pressing ink on paper, considers the translation of light on screen to ink on paper, and explores format from another position. Going from moving image to still images changes the relationship with time and distance, and from ratios in pixels to dimensions in millimetres.
author Baxter, Tess
author_facet Baxter, Tess
author_sort Baxter, Tess
title Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
title_short Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
title_full Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
title_fullStr Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
title_full_unstemmed Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
title_sort pigment, light, paper, screen; formats as interacting multi-dimensional creative works
publisher Interfaces
publishDate 2022
container_title URI:https://journals.openedition.org/interfaces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.3905
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/3905
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