Pigment, light, paper, screen; formats as interacting multi-dimensional creative works
Formats have an interacting range of qualities that practice based research can explore, so testing and questioning theory; they are more than dimensions. Video art can play with space, light and sound, through a choice of materials, including visuals and audio. I make video art out of the virtual w...
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| izdano v: | URI:https://journals.openedition.org/interfaces, |
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| Glavni avtor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
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Interfaces
2022
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| Teme: | |
| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_3905 |
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openedition |
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openedition-oai:revues.org:interfaces_3905 https://doi.org/10.4000/interfaces.3905 urn:doi:10.4000/interfaces.3905 en https://journals.openedition.org/interfaces/3905 2022-01-21T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4ib https://creativecommons.org/licenses/by/4.0/ Pigment, light, paper, screen; formats as interacting multi-dimensional creative works Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Baxter, Tess recherche pratique format art vidéo photogravure visuel audio monde virtuel temps et espace montage film d’archives format video art printmaking visual audio practice led virtual world time and space editing archive film Formats have an interacting range of qualities that practice based research can explore, so testing and questioning theory; they are more than dimensions. Video art can play with space, light and sound, through a choice of materials, including visuals and audio. I make video art out of the virtual world of Second Life with its interplay of two-dimensional textures and three-dimensional objects. Editing this virtual world digital video with digitised archive film, contemporary music and literature explores how the formats used by multiple creators across time can interact, so exploring meanings through reinterpretation and translation. Taking still images from that video art into printmaking using photogravure etching, a hand-crafted method of mechanically pressing ink on paper, considers the translation of light on screen to ink on paper, and explores format from another position. Going from moving image to still images changes the relationship with time and distance, and from ratios in pixels to dimensions in millimetres. Les formats possèdent un éventail de qualités interactives que la recherche pratique peut explorer, mettant ainsi à l’épreuve la théorie. L’art vidéo peut jouer avec l’espace, la lumière, le son, et les matériaux, y compris des éléments visuels et audio. Je fais de l’art vidéo à partir du monde virtuel de Second Life, m’inspirant de son jeu de textures bidimensionnelles et d’objets tridimensionnels. Je monte les vidéos numériques en mixant des films d’archives numérisés, de la musique contemporaine et de la littérature et propose d’explorer comment le travail de plusieurs créateurs produit des sens différents par le biais de la réinterprétation et de la traduction. J’ai utilisé la technique de photogravure, une méthode artisanale de pressage mécanique, pour retravailler des images fixes de l'art vidéo, traduire la lumière à l’écran par des jeux d’encre sur le papier et ainsi explorer le format depuis un autre angle. Cette conversion de l’image animée à l’image fixe change le rapport au temps et à la distance. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
recherche pratique format art vidéo photogravure visuel audio monde virtuel temps et espace montage film d’archives format video art printmaking visual audio practice led virtual world time and space editing archive film |
| spellingShingle |
recherche pratique format art vidéo photogravure visuel audio monde virtuel temps et espace montage film d’archives format video art printmaking visual audio practice led virtual world time and space editing archive film Baxter, Tess Pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| description |
Formats have an interacting range of qualities that practice based research can explore, so testing and questioning theory; they are more than dimensions. Video art can play with space, light and sound, through a choice of materials, including visuals and audio. I make video art out of the virtual world of Second Life with its interplay of two-dimensional textures and three-dimensional objects. Editing this virtual world digital video with digitised archive film, contemporary music and literature explores how the formats used by multiple creators across time can interact, so exploring meanings through reinterpretation and translation. Taking still images from that video art into printmaking using photogravure etching, a hand-crafted method of mechanically pressing ink on paper, considers the translation of light on screen to ink on paper, and explores format from another position. Going from moving image to still images changes the relationship with time and distance, and from ratios in pixels to dimensions in millimetres. |
| author |
Baxter, Tess |
| author_facet |
Baxter, Tess |
| author_sort |
Baxter, Tess |
| title |
Pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| title_short |
Pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| title_full |
Pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| title_fullStr |
Pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| title_full_unstemmed |
Pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| title_sort |
pigment, light, paper, screen; formats as interacting multi-dimensional creative works |
| publisher |
Interfaces |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.3905 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/3905 |
| _version_ |
1877293324370444288 |