Adrian Henri – Total Artist
A 1968 poster for an exhibition at London’s Institute of Contemporary Art insists on Adrian Henri’s dual work of art, as a painter and a poet (Fig.1). Henri (1932-2000) came to prominence as a writer in the 1967 groundbreaking Penguin anthology The Mersey Sound, alongside Roger McGough and Brian Pa...
में बचाया:
| में प्रकाशित: | URI:https://journals.openedition.org/interfaces, |
|---|---|
| मुख्य लेखक: | |
| स्वरूप: | Article ou chapitre numérique |
| भाषा: | Anglais |
| प्रकाशित: |
Interfaces
2020
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| ऑनलाइन पहुंच: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_318 |
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openedition |
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openedition-oai:revues.org:interfaces_318 https://doi.org/10.4000/interfaces.318 urn:doi:10.4000/interfaces.318 en https://journals.openedition.org/interfaces/318 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4ge https://creativecommons.org/licenses/by/4.0/ Adrian Henri – Total Artist A 1968 poster for an exhibition at London’s Institute of Contemporary Art insists on Adrian Henri’s dual work of art, as a painter and a poet (Fig.1). Henri (1932-2000) came to prominence as a writer in the 1967 groundbreaking Penguin anthology The Mersey Sound, alongside Roger McGough and Brian Patten. In his poems, he juxtaposed everyday or pop images with highbrow cultural references, creating a web of references that made his work both complex and accessible. Henri had trained as a paint... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Marcangeli, Catherine |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
A 1968 poster for an exhibition at London’s Institute of Contemporary Art insists on Adrian Henri’s dual work of art, as a painter and a poet (Fig.1). Henri (1932-2000) came to prominence as a writer in the 1967 groundbreaking Penguin anthology The Mersey Sound, alongside Roger McGough and Brian Patten. In his poems, he juxtaposed everyday or pop images with highbrow cultural references, creating a web of references that made his work both complex and accessible. Henri had trained as a paint... |
| author |
Marcangeli, Catherine |
| spellingShingle |
Marcangeli, Catherine Adrian Henri – Total Artist |
| author_facet |
Marcangeli, Catherine |
| author_sort |
Marcangeli, Catherine |
| title |
Adrian Henri – Total Artist |
| title_short |
Adrian Henri – Total Artist |
| title_full |
Adrian Henri – Total Artist |
| title_fullStr |
Adrian Henri – Total Artist |
| title_full_unstemmed |
Adrian Henri – Total Artist |
| title_sort |
adrian henri – total artist |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.318 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/318 |
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1877293791387320320 |