The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner

The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner

Il y a dans la somme d’un et un quelque chose qui n’existe ni dans l’un ni dans l’autre, le plus sans doute, et qui veut qu’un plus un fassent trois, de sorte que de l’opposition de Jekyll et Hyde naît l’Indifférent.Louis Aragon, La Mise à mortPublished in 1824, Private Memoirs and Confessions of a...

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Foilsithe in:URI:https://journals.openedition.org/interfaces,
Príomhchruthaitheoir: Neau, Jessy
Formáid: Article ou chapitre numérique
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Foilsithe / Cruthaithe: Interfaces 2020
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Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:interfaces_296 https://doi.org/10.4000/interfaces.296 urn:doi:10.4000/interfaces.296 en https://journals.openedition.org/interfaces/296 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4g6 https://creativecommons.org/licenses/by/4.0/ The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner Il y a dans la somme d’un et un quelque chose qui n’existe ni dans l’un ni dans l’autre, le plus sans doute, et qui veut qu’un plus un fassent trois, de sorte que de l’opposition de Jekyll et Hyde naît l’Indifférent.Louis Aragon, La Mise à mortPublished in 1824, Private Memoirs and Confessions of a Justified Sinner, by James Hogg, offers two versions of the same story, the first by an editor and the second by the protagonist. These two narrators tell us a story, set in the 18th century, of t... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Neau, Jessy
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Il y a dans la somme d’un et un quelque chose qui n’existe ni dans l’un ni dans l’autre, le plus sans doute, et qui veut qu’un plus un fassent trois, de sorte que de l’opposition de Jekyll et Hyde naît l’Indifférent.Louis Aragon, La Mise à mortPublished in 1824, Private Memoirs and Confessions of a Justified Sinner, by James Hogg, offers two versions of the same story, the first by an editor and the second by the protagonist. These two narrators tell us a story, set in the 18th century, of t...
author Neau, Jessy
spellingShingle Neau, Jessy
The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
author_facet Neau, Jessy
author_sort Neau, Jessy
title The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
title_short The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
title_full The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
title_fullStr The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
title_full_unstemmed The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has’s Film Adaptation of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
title_sort mill, the mirror and identity: representation of the divided self in wojciech has’s film adaptation of james hogg’s private memoirs and confessions of a justified sinner
publisher Interfaces
publishDate 2020
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url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.296
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/296
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