Alain Huck. Drawing History.
Active since the mid-eighties, Alain Huck is a Swiss artist born in 1957. After having explored various media in sculptures and small paintings, from 1993 to 2007, he kept a personal diary of 269 drawings entitled Vite soyons heureux il le faut je le veux (“Quick, let’s be happy, we must, I want it...
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| Опубликовано в: : | URI:https://journals.openedition.org/interfaces, |
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| Формат: | Article ou chapitre numérique |
| Язык: | Anglais |
| Опубликовано: |
Interfaces
2020
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| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_290 |
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openedition |
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openedition-oai:revues.org:interfaces_290 https://doi.org/10.4000/interfaces.290 urn:doi:10.4000/interfaces.290 en https://journals.openedition.org/interfaces/290 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4g3 https://creativecommons.org/licenses/by/4.0/ Alain Huck. Drawing History. Active since the mid-eighties, Alain Huck is a Swiss artist born in 1957. After having explored various media in sculptures and small paintings, from 1993 to 2007, he kept a personal diary of 269 drawings entitled Vite soyons heureux il le faut je le veux (“Quick, let’s be happy, we must, I want it”: henceforth referred to as VSH), in which he found material for his latter works. Since 2006 he has been using charcoal for monumental works on paper which depict forests and – as studied in this... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Lemaire, David |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Active since the mid-eighties, Alain Huck is a Swiss artist born in 1957. After having explored various media in sculptures and small paintings, from 1993 to 2007, he kept a personal diary of 269 drawings entitled Vite soyons heureux il le faut je le veux (“Quick, let’s be happy, we must, I want it”: henceforth referred to as VSH), in which he found material for his latter works. Since 2006 he has been using charcoal for monumental works on paper which depict forests and – as studied in this... |
| author |
Lemaire, David |
| spellingShingle |
Lemaire, David Alain Huck. Drawing History. |
| author_facet |
Lemaire, David |
| author_sort |
Lemaire, David |
| title |
Alain Huck. Drawing History. |
| title_short |
Alain Huck. Drawing History. |
| title_full |
Alain Huck. Drawing History. |
| title_fullStr |
Alain Huck. Drawing History. |
| title_full_unstemmed |
Alain Huck. Drawing History. |
| title_sort |
alain huck. drawing history. |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.290 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/290 |
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1877293794179678208 |