Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas
IntroductionSynesthesia in Percy Bysshe Shelley’s poetry has already been studied by Glenn O’Malley in his Shelley and Synesthesia (1964) and mentioned by critics like Richard Fogle, but usually without any reference to the poet’s prose and more particularly his ekphrases of paintings. The transaes...
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| Udgivet i: | URI:https://journals.openedition.org/interfaces, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Interfaces
2020
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_239 https://doi.org/10.4000/interfaces.239 urn:doi:10.4000/interfaces.239 en https://journals.openedition.org/interfaces/239 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4fs https://creativecommons.org/licenses/by/4.0/ Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas IntroductionSynesthesia in Percy Bysshe Shelley’s poetry has already been studied by Glenn O’Malley in his Shelley and Synesthesia (1964) and mentioned by critics like Richard Fogle, but usually without any reference to the poet’s prose and more particularly his ekphrases of paintings. The transaesthetic passage from painting to literary texts yet involves a relative change of emphasis from the visual to the audible or oral and from physical to mental experience, and can therefore be describ... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Desset, Fabien |
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OpenEdition Journal |
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Anglais |
| format |
Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
IntroductionSynesthesia in Percy Bysshe Shelley’s poetry has already been studied by Glenn O’Malley in his Shelley and Synesthesia (1964) and mentioned by critics like Richard Fogle, but usually without any reference to the poet’s prose and more particularly his ekphrases of paintings. The transaesthetic passage from painting to literary texts yet involves a relative change of emphasis from the visual to the audible or oral and from physical to mental experience, and can therefore be describ... |
| author |
Desset, Fabien |
| spellingShingle |
Desset, Fabien Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas |
| author_facet |
Desset, Fabien |
| author_sort |
Desset, Fabien |
| title |
Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas |
| title_short |
Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas |
| title_full |
Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas |
| title_fullStr |
Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas |
| title_full_unstemmed |
Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas |
| title_sort |
synesthesia in percy bysshe shelley’s ekphrasis: from audible paintings to tangible ideas |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.239 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/239 |
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