Masterclass: Michael Takeo Magruder
Artist Michael Takeo Magruder discusses his technologically engaged art practice and the interactions of his art with religious themes. His experiments with digital virtual worlds are made possible through computational processes: “the code, the systems, the machines… all of those components are in...
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| Argitaratua izan da: | URI:https://journals.openedition.org/interfaces, |
|---|---|
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
Interfaces
2026
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_12164 |
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openedition |
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openedition-oai:revues.org:interfaces_12164 https://doi.org/10.4000/16ovr en https://journals.openedition.org/interfaces/12164 2026-08-26T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/16ovr https://creativecommons.org/licenses/by/4.0/ Masterclass: Michael Takeo Magruder Artist Michael Takeo Magruder discusses his technologically engaged art practice and the interactions of his art with religious themes. His experiments with digital virtual worlds are made possible through computational processes: “the code, the systems, the machines… all of those components are integral to the work itself.” In some cases, the references to religion in his works are implicit, as with those which use religiously inflected visual forms – such as digitally producing coloured gl... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces urn:doi:10.4000/16ovr |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Artist Michael Takeo Magruder discusses his technologically engaged art practice and the interactions of his art with religious themes. His experiments with digital virtual worlds are made possible through computational processes: “the code, the systems, the machines… all of those components are integral to the work itself.” In some cases, the references to religion in his works are implicit, as with those which use religiously inflected visual forms – such as digitally producing coloured gl... |
| title |
Masterclass: Michael Takeo Magruder |
| spellingShingle |
Masterclass: Michael Takeo Magruder |
| title_short |
Masterclass: Michael Takeo Magruder |
| title_full |
Masterclass: Michael Takeo Magruder |
| title_fullStr |
Masterclass: Michael Takeo Magruder |
| title_full_unstemmed |
Masterclass: Michael Takeo Magruder |
| title_sort |
masterclass: michael takeo magruder |
| publisher |
Interfaces |
| publishDate |
2026 |
| container_title |
URI:https://journals.openedition.org/interfaces |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/16ovr https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/12164 |
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