Masterclass: Simon Morley
Artist and writer Simon Morley introduces the relationship between text and image in Western art, guiding viewers through precedents of text-inclusive images in art history and highlighting the pivotal influence of Christianity and the Renaissance in redefining text and image in Western culture and...
Bewaard in:
| Gepubliceerd in: | URI:https://journals.openedition.org/interfaces, |
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| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Interfaces
2026
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| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_12142 |
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openedition |
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openedition-oai:revues.org:interfaces_12142 https://doi.org/10.4000/16ovo en https://journals.openedition.org/interfaces/12142 2026-08-26T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/16ovo https://creativecommons.org/licenses/by/4.0/ Masterclass: Simon Morley Artist and writer Simon Morley introduces the relationship between text and image in Western art, guiding viewers through precedents of text-inclusive images in art history and highlighting the pivotal influence of Christianity and the Renaissance in redefining text and image in Western culture and aesthetics. Morley brings us into the present day by discussing how artists have used text-inclusive artworks to capture our modern world, incorporated written words as “visual language”, and defa... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces urn:doi:10.4000/16ovo |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Artist and writer Simon Morley introduces the relationship between text and image in Western art, guiding viewers through precedents of text-inclusive images in art history and highlighting the pivotal influence of Christianity and the Renaissance in redefining text and image in Western culture and aesthetics. Morley brings us into the present day by discussing how artists have used text-inclusive artworks to capture our modern world, incorporated written words as “visual language”, and defa... |
| title |
Masterclass: Simon Morley |
| spellingShingle |
Masterclass: Simon Morley |
| title_short |
Masterclass: Simon Morley |
| title_full |
Masterclass: Simon Morley |
| title_fullStr |
Masterclass: Simon Morley |
| title_full_unstemmed |
Masterclass: Simon Morley |
| title_sort |
masterclass: simon morley |
| publisher |
Interfaces |
| publishDate |
2026 |
| container_title |
URI:https://journals.openedition.org/interfaces |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/16ovo https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/12142 |
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