Bright Wings Process – A Hidden Story
Bright Wings is a three-part work that engages with text from the first two lines of Gerard Manley Hopkins’s poem God’s Grandeur. The first piece in the triptych uses white thread, the second uses scorch marks, and the third uses genuine gold leaf. The typeface that forms the letters of the text is...
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| Yayımlandı: | URI:https://journals.openedition.org/interfaces, |
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| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
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Interfaces
2026
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_12071 |
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openedition |
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openedition-oai:revues.org:interfaces_12071 https://doi.org/10.4000/16ovi en https://journals.openedition.org/interfaces/12071 2026-08-26T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/16ovi https://creativecommons.org/licenses/by/4.0/ Bright Wings Process – A Hidden Story Bright Wings is a three-part work that engages with text from the first two lines of Gerard Manley Hopkins’s poem God’s Grandeur. The first piece in the triptych uses white thread, the second uses scorch marks, and the third uses genuine gold leaf. The typeface that forms the letters of the text is based on William Morris’ Golden Type created in 1890, the year after Hopkins’s death. The use of both this poem and Morris’ type represents an engagement with Victorian aesthetic and ecological co... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Bowlby, Karlee Rene urn:doi:10.4000/16ovi |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Bright Wings is a three-part work that engages with text from the first two lines of Gerard Manley Hopkins’s poem God’s Grandeur. The first piece in the triptych uses white thread, the second uses scorch marks, and the third uses genuine gold leaf. The typeface that forms the letters of the text is based on William Morris’ Golden Type created in 1890, the year after Hopkins’s death. The use of both this poem and Morris’ type represents an engagement with Victorian aesthetic and ecological co... |
| author |
Bowlby, Karlee Rene |
| spellingShingle |
Bowlby, Karlee Rene Bright Wings Process – A Hidden Story |
| author_facet |
Bowlby, Karlee Rene |
| author_sort |
Bowlby, Karlee Rene |
| title |
Bright Wings Process – A Hidden Story |
| title_short |
Bright Wings Process – A Hidden Story |
| title_full |
Bright Wings Process – A Hidden Story |
| title_fullStr |
Bright Wings Process – A Hidden Story |
| title_full_unstemmed |
Bright Wings Process – A Hidden Story |
| title_sort |
bright wings process – a hidden story |
| publisher |
Interfaces |
| publishDate |
2026 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/16ovi https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/12071 |
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1877291616586170368 |