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Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd

The object is a central question in Far from the Madding Crowd: whether one thinks of the household goods heaped on the spring wagon that carries Bathsheba (including the precious mirror wrapped in paper), or of the lost object, the missing object (like Bathsheba’s hat blown away by the wind), or th...

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Xuất bản năm:	URI:https://journals.openedition.org/fathom,
Tác giả chính:	Ramel, Annie
Định dạng:	Article ou chapitre numérique
Ngôn ngữ:	Anglais
Được phát hành:	FATHOM 2016
Những chủ đề:	lettre psychanalyse Lacan (Jacques) objet métonymie perte origine chair substitution letter psychoanalysis object metonymy loss origin flesh
Truy cập trực tuyến:	Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM

id	openedition-oai:revues.org:fathom_504
record_format	openedition
spelling	openedition-oai:revues.org:fathom_504 https://doi.org/10.4000/fathom.504 urn:doi:10.4000/fathom.504 en https://journals.openedition.org/fathom/504 2016-04-28T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/gai2 All rights reserved Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd FATHOM Association française sur les études sur Thomas Hardy info:eu-repo/semantics/reference/issn/2270-6798 URI:https://journals.openedition.org/fathom Ramel, Annie lettre psychanalyse Lacan (Jacques) objet métonymie perte origine chair substitution letter psychoanalysis Lacan (Jacques) object metonymy loss origin flesh substitution The object is a central question in Far from the Madding Crowd: whether one thinks of the household goods heaped on the spring wagon that carries Bathsheba (including the precious mirror wrapped in paper), or of the lost object, the missing object (like Bathsheba’s hat blown away by the wind), or the surplus object — the object whose incongruous presence disrupts diegetic reality: the Valentine card bought by chance, which Bathsheba does not know what to do with, the watch offered by Troy to Bathsheba, the engagement ring that Boldwood thrusts on Bathsheba, and the extraordinary collection of articles he keeps locked in a closet. The object is also, of course, the object of desire, the woman whom three men seek to appropriate. The object may be part of a series in which each element may be substituted for another, or it may be irreplaceable. It then becomes the Thing, Das Ding, “a thing strong as death”, which is an essential element of the tragic. L’objet est une question centrale dans Far from the Madding Crowd : que l’on songe aux affaires de Bathsheba entassées sur le chariot qui la transporte (y compris le précieux miroir enveloppé dans du papier), ou à l’objet perdu, l’objet qui manque (comme le chapeau de Bathsheba emporté par le vent), ou à l’objet en trop — l’objet dont la présence incongrue dérange la réalité diégétique : la carte de Saint Valentin achetée par hasard, dont Bathsheba ne sait pas quoi faire, la montre que Troy offre à Bathsheba, la bague de fiançailles que Boldwood impose à Bathsheba, et l’extraordinaire collection d’articles qu’il garde sous clé dans une armoire. L’objet c’est aussi, bien sûr, la femme, l’objet du désir que trois hommes tentent de s’approprier. L’objet peut faire partie d’une série dans laquelle chaque élément peut être remplacé par un autre, ou bien il peut être irremplaçable. Il devient alors la Chose, Das Ding, « une chose aussi forte que la mort », qui est un élément essentiel du tragique.
collection	OpenEdition Journal
language	Anglais
format	Article ou chapitre numérique
building	0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/
topic	lettre psychanalyse Lacan (Jacques) objet métonymie perte origine chair substitution letter psychoanalysis Lacan (Jacques) object metonymy loss origin flesh substitution
spellingShingle	lettre psychanalyse Lacan (Jacques) objet métonymie perte origine chair substitution letter psychoanalysis Lacan (Jacques) object metonymy loss origin flesh substitution Ramel, Annie Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd
description	The object is a central question in Far from the Madding Crowd: whether one thinks of the household goods heaped on the spring wagon that carries Bathsheba (including the precious mirror wrapped in paper), or of the lost object, the missing object (like Bathsheba’s hat blown away by the wind), or the surplus object — the object whose incongruous presence disrupts diegetic reality: the Valentine card bought by chance, which Bathsheba does not know what to do with, the watch offered by Troy to Bathsheba, the engagement ring that Boldwood thrusts on Bathsheba, and the extraordinary collection of articles he keeps locked in a closet. The object is also, of course, the object of desire, the woman whom three men seek to appropriate. The object may be part of a series in which each element may be substituted for another, or it may be irreplaceable. It then becomes the Thing, Das Ding, “a thing strong as death”, which is an essential element of the tragic.
author	Ramel, Annie
author_facet	Ramel, Annie
author_sort	Ramel, Annie
title	Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd
title_short	Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd
title_full	Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd
title_fullStr	Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd
title_full_unstemmed	Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd
title_sort	bathsheba’s lost hat and metonymic substitution: objects in far from the madding crowd
publisher	FATHOM
publishDate	2016
container_title	URI:https://journals.openedition.org/fathom
url	https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/fathom.504 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/fathom/504
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Bathsheba’s Lost Hat and Metonymic Substitution: Objects in Far from the Madding Crowd

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