Observing Objects as Mutability and Meaning in Thomas Hardy’s Human Shows (1925)
How does Hardy represent objects in his poetry? What function(s) do they perform? Hardy uses the technique of personification but goes well beyond it. Thus “To a Sea-Cliff” begins as an address to place which finally has everything to do with drama and nothing to do with Nature as such. “The High-Sc...
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| Argitaratua izan da: | URI:https://journals.openedition.org/fathom, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
FATHOM
2019
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| Gaiak: | |
| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |