Towards a reassessment of Douglas Young
In recent years Greek classical drama has achieved a new profile in Scottish theatre through a surge of translations and versions done into English or Scots, mostly by prominent playwrights, and created from Greek or from other languages and plays through which the Greek originals have been mediate...
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| Cyhoeddwyd yn: | URI:https://journals.openedition.org/etudesecossaises, |
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| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Études écossaises
2005
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:etudesecossaises_161 |
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openedition |
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openedition-oai:revues.org:etudesecossaises_161 https://doi.org/10.4000/etudesecossaises.161 urn:doi:10.4000/etudesecossaises.161 en https://journals.openedition.org/etudesecossaises/161 2005-03-31T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/g5s5 All rights reserved Towards a reassessment of Douglas Young In recent years Greek classical drama has achieved a new profile in Scottish theatre through a surge of translations and versions done into English or Scots, mostly by prominent playwrights, and created from Greek or from other languages and plays through which the Greek originals have been mediated. Two of the most significant examples are Liz Lochhead’s Scots version, “after Euripides”, of Medea (2000), and Edwin Morgan’s Scots translation of Racine’s Phaedra (2000). The former originated ... Études écossaises UGA Éditions - Université Grenoble Alpes info:eu-repo/semantics/reference/issn/1969-6337 info:eu-repo/semantics/reference/issn/1240-1439 URI:https://journals.openedition.org/etudesecossaises Findlay, Bill |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In recent years Greek classical drama has achieved a new profile in Scottish theatre through a surge of translations and versions done into English or Scots, mostly by prominent playwrights, and created from Greek or from other languages and plays through which the Greek originals have been mediated. Two of the most significant examples are Liz Lochhead’s Scots version, “after Euripides”, of Medea (2000), and Edwin Morgan’s Scots translation of Racine’s Phaedra (2000). The former originated ... |
| author |
Findlay, Bill |
| spellingShingle |
Findlay, Bill Towards a reassessment of Douglas Young |
| author_facet |
Findlay, Bill |
| author_sort |
Findlay, Bill |
| title |
Towards a reassessment of Douglas Young |
| title_short |
Towards a reassessment of Douglas Young |
| title_full |
Towards a reassessment of Douglas Young |
| title_fullStr |
Towards a reassessment of Douglas Young |
| title_full_unstemmed |
Towards a reassessment of Douglas Young |
| title_sort |
towards a reassessment of douglas young |
| publisher |
Études écossaises |
| publishDate |
2005 |
| container_title |
URI:https://journals.openedition.org/etudesecossaises |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/etudesecossaises.161 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/etudesecossaises/161 |
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