Sound Waves: “Blue Ecology” in the Poetry of Robin Robertson and Kathleen Jamie
Analysing the poetic seascapes within Kathleen Jamie’s The Tree House (2004) and Robin Robertson’s The Wrecking Light (2010) this article examines the ecological and geopolitical parameters of the so-called “saltwater turn” in contemporary Scottish poetry. Invoking saltwater space as a means of unco...
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| Publicado en: | URI:https://journals.openedition.org/etudesecossaises, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
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Études écossaises
2017
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |