The Colors and the Spinozist Bodies of Michelangelo Antonioni’s L’avventura
In this paper I shall profile some of the major contours of the philosophically and cinematically revolutionary qualities of one of Michelangelo Antonioni’s (1912-present) finest films, L’avventura (The Adventure or The Fling 1959), particularly in regard to the colors of the negative, which is to...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
E-rea
2012
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |