Performing rustics: pastoral moments and masques in Henry Purcell’s King Arthur (1691) and Benjamin Britten’s Gloriana (1953)
This essay analyses the functions and forms of the pastoral masques in two musical works celebrating England and its monarchs: Purcell’s semi-opera King Arthur (1691) and Britten’s coronation opera Gloriana (1953). The conventions of the masque and the pastoral combine in performances involving sing...
保存先:
| 出版年: | URI:https://journals.openedition.org/erea, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
E-rea
2017
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |