Mythologies of American violence in Alan Ball's True Blood series
True Blood [2008-2014] stages a post-Katrina deliberately fantasized and violent world. Relationships between species, whose representation thus displaces the endemic confrontation between races, genders and reconstituted family members in America, are tense and dysfunctional. To capture their extre...
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| Pubblicato in: | URI:https://journals.openedition.org/erea, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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E-rea
2016
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |