Intertextual “tissue preserved”: a Reading of Ezra Pound’s Hugh Selwyn Mauberley
Recorded archives of poets reading their own works sometimes yield provocative insights into the texts they chose or were asked to recite. In the case of T.S. Eliot’s performance of The Waste Land the jarring contrast between the work’s built-in polyphony and the neutral soundscape created by Eliot...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
E-rea
2011
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |