The Counter Feats of Elaine Sturtevant (1924-2014)
This article explores the work of Elaine Sturtevant whose œuvre is entirely composed of images borrowed or copied from other artists. From her first Warhol Flowers in 1965 to her late text performances, Sturtevant belligerently used iconic images by other artists trying not to make them different, b...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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E-rea
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |