Polychrome sculptures in Romeo and Juliet and The Winter’s Tale
Since the Reformation, English onlookers have been used to unadorned, unpainted sculptures. However, in The Winter’s Tale, Shakespeare structures the plot around Hermione’s painted statue. Its lifelike appearance serves to enlighten King Leontes about his former tragic errors. Interestingly enough,...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/erea, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
E-rea
2015
|
| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |