“How green!”: The Meanings of Green in Early Modern England and in The Tempest
In Shakespeare’s works, “green” takes on many implications, as do other colour terms, to stimulate the visual, olfactory, and tactile senses altogether. In Enobarbus’ well-known lines (Antony and Cleopatra 2.2.191-205), Cleopatra’s beauty is praised with colours that recall texture and perfume. Fema...
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| Publicat a: | URI:https://journals.openedition.org/erea, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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E-rea
2015
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |