The Death of the Subject in David Lynch’s Lost Highway and Mulholland Drive
David Lynch’s Lost Highway (1996) and Mulholland Drive (2001) are films that deeply startle spectators, fascinating some, upsetting others, but always causing much debate on the subject of “what the movie was about.” For most spectators and critics, this means figuring out the story and, ultimately...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
E-rea
2011
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |