The Death of the Subject in David Lynch’s Lost Highway and Mulholland Drive
David Lynch’s Lost Highway (1996) and Mulholland Drive (2001) are films that deeply startle spectators, fascinating some, upsetting others, but always causing much debate on the subject of “what the movie was about.” For most spectators and critics, this means figuring out the story and, ultimately...
שמור ב:
| הוצא לאור ב: | URI:https://journals.openedition.org/erea, |
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| מחבר ראשי: | |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
| יצא לאור: |
E-rea
2011
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |