“History Lives in the Body”: The Body/Land/History Triad in Linda Hogan’s The Woman Who Watches Over the World
The article attempts to demonstrate how the metaphor of the clay woman’s broken body that opens Linda Hogan’s The Woman Who Watches Over the World establishes the author’s preoccupation with inventing a language invested with the corporeal, appropriate for vocalizing the distinct character of Native...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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E-rea
2014
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |