“History Lives in the Body”: The Body/Land/History Triad in Linda Hogan’s The Woman Who Watches Over the World
The article attempts to demonstrate how the metaphor of the clay woman’s broken body that opens Linda Hogan’s The Woman Who Watches Over the World establishes the author’s preoccupation with inventing a language invested with the corporeal, appropriate for vocalizing the distinct character of Native...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/erea, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
E-rea
2014
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| Konular: | |
| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |