The Postfeminist Masquerade and the Cynical Male Gaze: The Disavowal of Sexual Difference in Lars von Trier’s Breaking the Waves

This article is a commentary on the Lacanian appropriation of Breaking the Waves by Slavoj Zizek, Frances Restuccia and others who argue that the film’s saintly heroine, Bess, performs an authentic feminine act paradoxically in her very suicidal over-identification with her husband’s male chauvinist...

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Опубликовано в: :URI:https://journals.openedition.org/erea,
Главный автор: NAGYPAL, Tamas
Формат: Article ou chapitre numérique
Язык:Anglais
Опубликовано: E-rea 2014
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Online-ссылка:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/erea.4093
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/erea/4093