Dramatic Jouissance in Edward Bond’s Born
Edward Bond’s 2006 play Born is set in a police state, and is haunted by recurrent rattling sounds. The article suggests that these disturbances to audio visual synchrony may be used to stage Lacan’s ‘fluid’ relationship between signifier and signified, allowing audiences to encounter “radical point...
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| Veröffentlicht in: | URI:https://journals.openedition.org/erea, |
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| 1. Verfasser: | |
| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
| Veröffentlicht: |
E-rea
2014
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |