Performing Grief Inconsolable: Land, Lament and Love in Marina Carr’s Portia Coughlan
The article concentrates on Marina Carr’s seminal play Portia Coughlan (1996), examined through an ecocritical and ecofeminist lens. As the essay argues, the play’s recent revival at London’s Almeida Theatre (2023), directed by Carrie Cracknell, designed by Alex Eales and featuring Alison Oliver in...
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| Pubblicato in: | URI:https://journals.openedition.org/erea, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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E-rea
2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |