Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place
The struggles for dance spaces, for festivals, for recognition of the dancers have long undergirded contemporary dance in Africa in general and no less so in postapartheid and covid-controlled South Africa where governmental institutional structures refuse to prioritise the arts sector and particula...
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| In: | URI:https://journals.openedition.org/erea, |
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| Format: | Article ou chapitre numérique |
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E-rea
2021
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |