Photography, painting, and prints in Ladakh and Zangskar. Intermediality and transmediality
The central thesis of this essay is that one of the most important aspects of the pioneering use of photographic portraits of teachers in the late 19th and early 20th century in Western Himalayan Buddhist contexts is its ongoing visual relationship to and with pre-photographic media, including sculp...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/emscat, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études mongoles et sibériennes, centrasiatiques et tibétaines
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |