Peirce and Iconology

“[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving fina...

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Auteur principal: Viola, Tullio
Format: Article ou chapitre numérique
Langue:Anglais
Publié: European Journal of Pragmatism and American Philosophy 2017
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ejpap_764 https://doi.org/10.4000/ejpap.764 urn:doi:10.4000/ejpap.764 en https://journals.openedition.org/ejpap/764 2017-07-21T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/fn5f https://creativecommons.org/licenses/by-nc-nd/4.0/ Peirce and Iconology European Journal of Pragmatism and American Philosophy Associazione Pragma info:eu-repo/semantics/reference/issn/2036-4091 URI:https://journals.openedition.org/ejpap Viola, Tullio “[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu. This paper explores the affinities between Peirce’s and Panofksy’s thinking, as well as their historical connections and their common sources, taking its cue from an analysis of the similar arguments the two authors offer to justify the analogy between Gothic architecture and Scholasticism. The fulcrum for the comparison between Peirce and Panofsky is located in the writings of Edgar Wind: a leading figure, this article proposes, in the history of European pragmatism.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
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description “[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu. This paper explores the affinities between Peirce’s and Panofksy’s thinking, as well as their historical connections and their common sources, taking its cue from an analysis of the similar arguments the two authors offer to justify the analogy between Gothic architecture and Scholasticism. The fulcrum for the comparison between Peirce and Panofsky is located in the writings of Edgar Wind: a leading figure, this article proposes, in the history of European pragmatism.
author Viola, Tullio
spellingShingle Viola, Tullio
Peirce and Iconology
author_facet Viola, Tullio
author_sort Viola, Tullio
title Peirce and Iconology
title_short Peirce and Iconology
title_full Peirce and Iconology
title_fullStr Peirce and Iconology
title_full_unstemmed Peirce and Iconology
title_sort peirce and iconology
publisher European Journal of Pragmatism and American Philosophy
publishDate 2017
container_title URI:https://journals.openedition.org/ejpap
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ejpap.764
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ejpap/764
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