Stereotypes and Trauma: Germany in John Hawkes’s The Cannibal and Walter Abish’s How German Is It
This article examines the representation of Germany in John Hawkes’s The Cannibal (1949) and Walter Abish’s How German Is It (1979). The two texts are brought together because the fictional versions of Germany they represent are constructed via a calculated employment of stereotyped images of the co...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/ejas, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
European journal of American studies
2013
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |