Stereotypes and Trauma: Germany in John Hawkes’s The Cannibal and Walter Abish’s How German Is It
This article examines the representation of Germany in John Hawkes’s The Cannibal (1949) and Walter Abish’s How German Is It (1979). The two texts are brought together because the fictional versions of Germany they represent are constructed via a calculated employment of stereotyped images of the co...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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European journal of American studies
2013
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |