Fluid Roles and Fragmented Time in Diane di Prima’s “The Discontent of the Russian Prince”
This article explores the fragmentation and temporal rupture in Diane di Prima’s lesser-known yet captivating play, “The Discontent of the Russian Prince” (1959), a work that broadens the Beat fragmentation aesthetic and contests traditional notions of narrative chronology. Going beyond gender comme...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Auteurs principaux: | , |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
European journal of American studies
2026
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| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |