Melville’s Obsessional Form: Disjunction and Refusal in “Benito Cereno”
“Benito Cereno” offers an exemplary text to consider obsession in relation to narrative form. Melville’s tale operates on at least two levels: the first part, a third-person narration that exhausts itself when “Melville’s ultimate dupe” (Ngai 61), Captain Delano, finally realizes there has been a sl...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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European journal of American studies
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |