“It Was a Scene of Life in the Rough”: Herman Melville, Nathaniel Hawthorne, and Paracinema
Jeffrey Sconce defined paracinema (“a most elastic textual category”) as a term that houses nearly every conceivable (non-pornographic) film subgenre of ill-repute. For Sconce, paracinema was “less a distinct group of films than a particular reading protocol.” In many ways, paracinema’s elasticity a...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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European journal of American studies
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |