“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe

This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). Entitled The Lagoon Cycle (1973-1984, based in Sri Lanka and the United States), Breathing Space for the Sava River (1989-1990, in the former Yugosla...

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出版年:URI:https://journals.openedition.org/ejas,
第一著者: Manolescu, Monica
フォーマット: Article ou chapitre numérique
言語:Anglais
出版事項: European journal of American studies 2023
主題:
オンライン・アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:ejas_19739
record_format openedition
spelling openedition-oai:revues.org:ejas_19739 https://doi.org/10.4000/ejas.19739 urn:doi:10.4000/ejas.19739 en https://journals.openedition.org/ejas/19739 2023-07-08T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/fmza https://creativecommons.org/licenses/by/4.0/ “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe European journal of American studies European Association for American Studies info:eu-repo/semantics/reference/issn/1991-9336 URI:https://journals.openedition.org/ejas Manolescu, Monica intermediation Helen Mayer Harrison and Newton Harrison Robert Smithson Nancy Holt Walter De Maria land art ecological art reclamation This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). Entitled The Lagoon Cycle (1973-1984, based in Sri Lanka and the United States), Breathing Space for the Sava River (1989-1990, in the former Yugoslavia) and Endangered Meadows of Europe (1996, in Bonn), these projects defy commodification and openly assert the well-being of ecosystems and ecological change as their main objectives. How is intermediation achieved from these intellectual positions and in these circumstances? The projects have an exhibition component and a performative component of interaction with the social, academic, administrative, institutional or industrial frameworks that surround them (more or less successful depending on the project). They benefited from collaborations with museum institutions, science laboratories, politicians, decision-makers, associations and ordinary citizens. While capital is a major issue for funding these projects and museums represent significant venues where exhibitions were presented, a larger conversation with many of the actors involved was initiated, including the ecosystem itself, which, through the work and beyond it, becomes an agent of its own further dissemination.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic intermediation
Helen Mayer Harrison and Newton Harrison
Robert Smithson
Nancy Holt
Walter De Maria
land art
ecological art
reclamation
spellingShingle intermediation
Helen Mayer Harrison and Newton Harrison
Robert Smithson
Nancy Holt
Walter De Maria
land art
ecological art
reclamation
Manolescu, Monica
“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
description This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). Entitled The Lagoon Cycle (1973-1984, based in Sri Lanka and the United States), Breathing Space for the Sava River (1989-1990, in the former Yugoslavia) and Endangered Meadows of Europe (1996, in Bonn), these projects defy commodification and openly assert the well-being of ecosystems and ecological change as their main objectives. How is intermediation achieved from these intellectual positions and in these circumstances? The projects have an exhibition component and a performative component of interaction with the social, academic, administrative, institutional or industrial frameworks that surround them (more or less successful depending on the project). They benefited from collaborations with museum institutions, science laboratories, politicians, decision-makers, associations and ordinary citizens. While capital is a major issue for funding these projects and museums represent significant venues where exhibitions were presented, a larger conversation with many of the actors involved was initiated, including the ecosystem itself, which, through the work and beyond it, becomes an agent of its own further dissemination.
author Manolescu, Monica
author_facet Manolescu, Monica
author_sort Manolescu, Monica
title “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_short “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_full “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_fullStr “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_full_unstemmed “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_sort “proposals for change”: art, ecology and intermediation in helen mayer harrison and newton harrison’s the lagoon cycle, breathing space for the sava river and endangered meadows of europe
publisher European journal of American studies
publishDate 2023
container_title URI:https://journals.openedition.org/ejas
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ejas.19739
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ejas/19739
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