The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians
This paper seeks to argue that Edward Hopper’s Early Sunday Morning (1930), Girlie Show (1941), and Two Comedians (1966) all show interest in the ephemerality of stage art. These paintings, I argue, depend upon innovations and fashions in lighting and set design from Hopper’ era. These influences, I...
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| Gepubliceerd in: | URI:https://journals.openedition.org/ejas, |
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| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
European journal of American studies
2021
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| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |