The Reluctant Islamophobes: Multimedia Dissensus in the Hollywood Premodern
This paper contributes to the theorization of how Orientalism has evolved after 9/11 and in the first two decades of the twenty-first century. I specifically address the multimediality of films and propose that post-9/11 Orientalism has fragmented into more digestible, more complex micronarratives d...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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European journal of American studies
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |