The Black Arts Movement Reprise: Television and Black Art in the 21st Century

Beginning in the late 1960s, the Black Arts Movement grew as the cultural wing of the Black Power Movement. It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was una...

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Pubblicato in:URI:https://journals.openedition.org/ejas,
Autore principale: Ogbar, Jeffrey O.G.
Natura: Article ou chapitre numérique
Lingua:Anglais
Pubblicazione: European journal of American studies 2019
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Accesso online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ejas_14366 https://doi.org/10.4000/ejas.14366 urn:doi:10.4000/ejas.14366 en https://journals.openedition.org/ejas/14366 2019-04-01T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/fmq0 https://creativecommons.org/licenses/by-nc/4.0/ The Black Arts Movement Reprise: Television and Black Art in the 21st Century European journal of American studies European Association for American Studies info:eu-repo/semantics/reference/issn/1991-9336 URI:https://journals.openedition.org/ejas Ogbar, Jeffrey O.G. Black Lives Matter Black Arts Movement Black Power Movement TV Arts Beginning in the late 1960s, the Black Arts Movement grew as the cultural wing of the Black Power Movement. It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was unaffected by inflections of this new black consciousness. This article explores the ways in which, a half-century after the Black Arts Movement, African Americans in television have cultivated an aesthetic and politics that resonate with the core thrust of the Black Arts Movement, one that sets black people in the center of their own cultural and political narratives, and inextricably bound to the wider movements of social justice in black communities.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic Black Lives Matter
Black Arts Movement
Black Power Movement
TV
Arts
spellingShingle Black Lives Matter
Black Arts Movement
Black Power Movement
TV
Arts
Ogbar, Jeffrey O.G.
The Black Arts Movement Reprise: Television and Black Art in the 21st Century
description Beginning in the late 1960s, the Black Arts Movement grew as the cultural wing of the Black Power Movement. It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was unaffected by inflections of this new black consciousness. This article explores the ways in which, a half-century after the Black Arts Movement, African Americans in television have cultivated an aesthetic and politics that resonate with the core thrust of the Black Arts Movement, one that sets black people in the center of their own cultural and political narratives, and inextricably bound to the wider movements of social justice in black communities.
author Ogbar, Jeffrey O.G.
author_facet Ogbar, Jeffrey O.G.
author_sort Ogbar, Jeffrey O.G.
title The Black Arts Movement Reprise: Television and Black Art in the 21st Century
title_short The Black Arts Movement Reprise: Television and Black Art in the 21st Century
title_full The Black Arts Movement Reprise: Television and Black Art in the 21st Century
title_fullStr The Black Arts Movement Reprise: Television and Black Art in the 21st Century
title_full_unstemmed The Black Arts Movement Reprise: Television and Black Art in the 21st Century
title_sort black arts movement reprise: television and black art in the 21st century
publisher European journal of American studies
publishDate 2019
container_title URI:https://journals.openedition.org/ejas
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ejas.14366
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ejas/14366
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