Cormac McCarthy’s Aesthet(h)ics of the “Canal-Rhizome” in Suttree
This essay interprets Suttree’s (1979) obsessional themes of vagrancy and in-betweenness, and their aesthetic inscription in the text by resorting to Gilles Deleuze and Felix Guattari’s motif of the “canal-rhizome” as developed in Mille plateaux (1980). Close textual analysis reveals that, in parall...
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| Dans: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
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European journal of American studies
2017
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |