The Queer Voices of Xavier Dolan’s Mommy
This article examines the vocal materialities of Xavier Dolan’s film Mommy (2014). It focuses on the film’s swearing, competing diegetic voices, disruptive soundtrack, as well as its scenes of lip synch, play-back, and karaoke, in order to convey queer vocal identifications. The article’s interdisci...
שמור ב:
| הוצא לאור ב: | URI:https://journals.openedition.org/ejas, |
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| מחבר ראשי: | |
| פורמט: | Article ou chapitre numérique |
| יצא לאור: |
European journal of American studies
2017
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| נושאים: | |
| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |