The Queer Voices of Xavier Dolan’s Mommy
This article examines the vocal materialities of Xavier Dolan’s film Mommy (2014). It focuses on the film’s swearing, competing diegetic voices, disruptive soundtrack, as well as its scenes of lip synch, play-back, and karaoke, in order to convey queer vocal identifications. The article’s interdisci...
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| Опубликовано в: : | URI:https://journals.openedition.org/ejas, |
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| Главный автор: | |
| Формат: | Article ou chapitre numérique |
| Опубликовано: |
European journal of American studies
2017
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| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |