The American Dream of Authentic Personhood: Homosexuality, Class, and the Normative Individual in U.S. Queer Male Impostor Films (1970-2009)
As a key discursive nodal point of abnormal personhood, the homosexual has been featured in an extensive stream of Hollywood movies from the early 1940s onwards. More specifically, since the end of the 1960s, a series of mainstream U.S. films have come out about queer fraudsters. Impostors assume an...
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| 出版年: | URI:https://journals.openedition.org/ejas, |
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| フォーマット: | Article ou chapitre numérique |
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European journal of American studies
2017
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |