Risk, Disappointment and Distraction in Keith Gessen’s All the Sad Young Literary Men
Keith Gessen’s debut novel is not a “post-9/11” text in the manner of Falling Man or Terrorist. It is not concerned, explicitly, with the aftermath of the attacks. Like many “post-9/11” texts, however, it asks questions about the ability of twenty-first century writers to tackle big issues—tragedy,...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
European journal of American studies
2014
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |