Ritual and Transgression: A case study in new music

This research lies on the concepts of ritual and narrative as applied in a case study of a musical theatre piece. In traditional musical narrative the focus is on construction, and one could speak of fields around which hierarchies, systems and rules of musical language are built. In this piece we f...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
में प्रकाशित:URI:https://journals.openedition.org/eces,
मुख्य लेखकों: Carvalho, Sara, Marinho, Helena
स्वरूप: Article ou chapitre numérique
भाषा:Portugais
प्रकाशित: e-cadernos CES 2012
विषय:
ऑनलाइन पहुंच:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:eces_486
record_format openedition
spelling openedition-oai:revues.org:eces_486 https://doi.org/10.4000/eces.486 urn:doi:10.4000/eces.486 pt https://journals.openedition.org/eces/486 2012-10-10T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/ffi7 https://creativecommons.org/licenses/by/4.0/ Ritual and Transgression: A case study in new music e-cadernos CES Centro de Estudos Sociais da Universidade de Coimbra info:eu-repo/semantics/reference/issn/1647-0737 URI:https://journals.openedition.org/eces Carvalho, Sara Marinho, Helena ritual narrative performance transgression deconstruction This research lies on the concepts of ritual and narrative as applied in a case study of a musical theatre piece. In traditional musical narrative the focus is on construction, and one could speak of fields around which hierarchies, systems and rules of musical language are built. In this piece we find unpredictable transgressive musical gestures, acted out by performers, combined with conventional narrative procedures. This study aims to demonstrate that the concepts of musical narrative and ritual cannot be seen as isolated objects but as entities of transformation by composers, and how the trilogy composer/performer/listener (audience) is associated with narrative and ritual. Ritual and transgression can thus be linked to traditional concepts of musical narrative connecting composing, performing, and listening activities.
collection OpenEdition Journal
language Portugais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic ritual
narrative
performance
transgression
deconstruction
spellingShingle ritual
narrative
performance
transgression
deconstruction
Carvalho, Sara
Marinho, Helena
Ritual and Transgression: A case study in new music
description This research lies on the concepts of ritual and narrative as applied in a case study of a musical theatre piece. In traditional musical narrative the focus is on construction, and one could speak of fields around which hierarchies, systems and rules of musical language are built. In this piece we find unpredictable transgressive musical gestures, acted out by performers, combined with conventional narrative procedures. This study aims to demonstrate that the concepts of musical narrative and ritual cannot be seen as isolated objects but as entities of transformation by composers, and how the trilogy composer/performer/listener (audience) is associated with narrative and ritual. Ritual and transgression can thus be linked to traditional concepts of musical narrative connecting composing, performing, and listening activities.
author Carvalho, Sara
Marinho, Helena
author_facet Carvalho, Sara
Marinho, Helena
author_sort Carvalho, Sara
title Ritual and Transgression: A case study in new music
title_short Ritual and Transgression: A case study in new music
title_full Ritual and Transgression: A case study in new music
title_fullStr Ritual and Transgression: A case study in new music
title_full_unstemmed Ritual and Transgression: A case study in new music
title_sort ritual and transgression: a case study in new music
publisher e-cadernos CES
publishDate 2012
container_title URI:https://journals.openedition.org/eces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/eces.486
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/eces/486
_version_ 1877243795847774208