Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision
The 1970s and 1980s made it difficult to imagine that London would soon become the successor to Paris and New York as the centre of the international art world, and that its docks, still scarred from the Blitz and derelict from the demise of industry, would soon form part of what is considered cent...
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| Wydane w: | URI:https://journals.openedition.org/ebc, |
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| 1. autor: | |
| Format: | Article ou chapitre numérique |
| Język: | Anglais |
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Études britanniques contemporaines
2019
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| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ebc_7010 |
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openedition |
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openedition-oai:revues.org:ebc_7010 https://doi.org/10.4000/ebc.7010 urn:doi:10.4000/ebc.7010 en https://journals.openedition.org/ebc/7010 2019-04-11T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/fef5 https://creativecommons.org/licenses/by-nc-nd/4.0/ Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision The 1970s and 1980s made it difficult to imagine that London would soon become the successor to Paris and New York as the centre of the international art world, and that its docks, still scarred from the Blitz and derelict from the demise of industry, would soon form part of what is considered central London. Southwark, then, was far from its present state and could not yet boast a tube station, a footbridge linking it to Saint Paul’s Cathedral, a scenic walk along the river and swanky shops... Études britanniques contemporaines Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-5444 info:eu-repo/semantics/reference/issn/1168-4917 URI:https://journals.openedition.org/ebc Gould, Charlotte |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The 1970s and 1980s made it difficult to imagine that London would soon become the successor to Paris and New York as the centre of the international art world, and that its docks, still scarred from the Blitz and derelict from the demise of industry, would soon form part of what is considered central London. Southwark, then, was far from its present state and could not yet boast a tube station, a footbridge linking it to Saint Paul’s Cathedral, a scenic walk along the river and swanky shops... |
| author |
Gould, Charlotte |
| spellingShingle |
Gould, Charlotte Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision |
| author_facet |
Gould, Charlotte |
| author_sort |
Gould, Charlotte |
| title |
Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision |
| title_short |
Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision |
| title_full |
Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision |
| title_fullStr |
Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision |
| title_full_unstemmed |
Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision |
| title_sort |
caroline donnellan, towards tate britain. public policy, private vision |
| publisher |
Études britanniques contemporaines |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/ebc |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ebc.7010 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ebc/7010 |
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