Introduction
In contemporary theatre it seems that things are no longer in the margins but at the center of the stage. Contemporary dramaturgies’ concern with the notion of identity, their sustained experimentations with and questioning of the traditional definition of the theatrical character have led to a ren...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/ebc, |
|---|---|
| প্রধান লেখক: | , |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
Études britanniques contemporaines
2019
|
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:ebc_6113 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:ebc_6113 https://doi.org/10.4000/ebc.6113 urn:doi:10.4000/ebc.6113 en https://journals.openedition.org/ebc/6113 2019-04-05T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/fe8s https://creativecommons.org/licenses/by-nc-nd/4.0/ Introduction In contemporary theatre it seems that things are no longer in the margins but at the center of the stage. Contemporary dramaturgies’ concern with the notion of identity, their sustained experimentations with and questioning of the traditional definition of the theatrical character have led to a renegotiation of the relationship between the animate and inanimate on the stage, and to a major re-appraisal of the role of things. While the autonomy and even integrity of the theatrical character i... Études britanniques contemporaines Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-5444 info:eu-repo/semantics/reference/issn/1168-4917 URI:https://journals.openedition.org/ebc Angel-Perez, Élisabeth Poulain, Alexandra |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In contemporary theatre it seems that things are no longer in the margins but at the center of the stage. Contemporary dramaturgies’ concern with the notion of identity, their sustained experimentations with and questioning of the traditional definition of the theatrical character have led to a renegotiation of the relationship between the animate and inanimate on the stage, and to a major re-appraisal of the role of things. While the autonomy and even integrity of the theatrical character i... |
| author |
Angel-Perez, Élisabeth Poulain, Alexandra |
| spellingShingle |
Angel-Perez, Élisabeth Poulain, Alexandra Introduction |
| author_facet |
Angel-Perez, Élisabeth Poulain, Alexandra |
| author_sort |
Angel-Perez, Élisabeth |
| title |
Introduction |
| title_short |
Introduction |
| title_full |
Introduction |
| title_fullStr |
Introduction |
| title_full_unstemmed |
Introduction |
| title_sort |
introduction |
| publisher |
Études britanniques contemporaines |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/ebc |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ebc.6113 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ebc/6113 |
| _version_ |
1877241658609762304 |